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Greetings!

This post has been a long time coming. I’ve been fighting against it for a while, but it looks like time has won. I have to put Metabook on hiatus. Despair not! It’s not done, it’s just taking a different form for the time being.

You see, I’m running yet another blog, a blog about being a freelance writer. During the course of my freelancing, I got offered a permanent position. That doesn’t mean I’m going to stop freelancing, but it does mean that I’ll be able to afford a few luxuries, like meat and hair conditioner. Unfortunately, it also means that I need to clear out my schedule a bit, or I’m going to go insane. Ironically, I’m just running out of hours in the day to write. I can’t physically press the keys on this keyboard fast enough.

This means that, while the posts on this site are irregular at best, they’re going to be downright non-existent for a little while. “What will live here?” you ask. Well, every new story I write is going to find a home here. The links to my Metabook research are going to go here.

Oh, what? Right, I said that was done for now. The writing is, yes, but the interviews will continue. MB has always been about the process of writing a book about writing a book. Right now, that means taking time away from writing that book. However, I still need to gather information. So, I’ll be posting these interviews on YouTube. Here’s a list of them:

Marina Endicott

It looks a bit stumpy, but it will continue to grow as I up-date it. If you’re going to miss me, then you can find me here:

Twitter

My horror/gaming blog

YouTube

Facebook

You see, there’s really no shortage of my gibbering. I can’t wait to get back to this project. Hopefully by then, I’ll be a little wiser, a little better informed, and a little less like a chicken with no head.

Cheers!

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June 6, 2013, 4:39 PM

The thing about an on-going project like this, with an absolute record, is that it will change. All projects do, but here, you will see the seams. I’ve marked them in bold and pasted them with care. There’s nothing to hide, so there’s nothing to redeem me. I approached this with all the objectivity I could muster under the circumstances, but I’ve realized that this project is me. That’s the thing about a blog; it’s alive. I could try, from day to day, to disguise that fact, but you will see what I’m thinking through it all. You’ll read my thoughts, and, for those of you that are sensitive to this sort of thing, you’ll see me. So, I might as well embrace that fact.

I was watching Doctor Who today. I’m not a huge fan of Series 7; it requires some suspension of disbelief to truly enjoy. It’s a little too predictable, a little too in love with itself. That’s fine, though, because so, so many people are. It follows the traditional Conan Doyle method of mystery writing. That is, it gives you tid-bits of information, while leaving out the important bits. However, if you know the tropes well enough, then you can read the story. “Spoilers”, as our dear River Song would say. Ironically, the better you are at telling stories, the more likely you are to not be able to predict the ending. When you write books or tell stories, you slowly learn to see the narrative possibilities split off from each other into infinitum. What can a single symbol mean? Look up “Ankh” on Google. Remember, also, that the Ankh is metonymy for entire cultures and many philosophies besides. Now, look at a pen, a bag or a monitor. There’s potential unbridled in everything we see, if we look hard enough.

Given that range of possibility, the hardest thing for you to do, as I said last entry, will be to temper that potential. In the process, though, you’ve got to think about what it means. You see, while I make jokes about the usefulness of my English degree and others may scoff at its practical value, there’s something you must realize. The word is powerful. It’s not just written. Video games, music, movies, ads and comments; textbooks, reviews, novels, short-stories and manuals: they all contain the gift of narrative. They’re all forms of communication. They are, in essence, what we do as writers. An English degree may be a precarious thing on its own, but combined with a little knowledge, it’s a powerful tool.

So, think, what are you going to do? Be very careful. Through narrative, we teach people how to love. How to laugh. How to deal with trauma. How to approach pain. When to end a life. How to take one. How to use toasters and on which side the butter goes. We also let them know how it lands. Yet, you’re thinking this is hyperbole. People experience life and learn from that. Of course they do! That’s where our experience comes from, too.

What if you don’t know? What if you have to Google it? What if you’re reading a review? How about if you’re unsure about something? Have you ever been on the fence about something and been influenced by a good story? Have you ever captured a heart, made a friend or fallen in love through a story? With a story? If you’re on my blog, then I presume you like writing and reading; so, I’m probably preaching to the choir. I sure hope so, because what we write matters. How we write about things, doubly so.

When I watch the News or read an opinion piece, I can feel how they want me to feel. I know when they’re being alarmist; I can tell when they’re placating me. Not everyone can, though. More frightening, I still feel, a little bit, the way they want me to. Yes, there is an irony here, but I don’t want to scare you or stop you from writing your thoughts. Quite the opposite, I want you to write as much as you can. I also want you to think about what it means and what it can do. I want you to be okay with that. Because, if it’s written and read well enough, then you will change someone’s world. Just a little bit.

That’s why I love Doctor Who. The world is a terrifying place. Looking outside, there are forces and technologies at work that I can’t begin to fully understand. There are political intrigues and personal connections holding the world together and tearing it apart. There are stories and dreams that are horrible and false, beautiful and tragic, that run and define people’s lives. We’re approaching a time unprecedented; we are barrelling toward a future that no one person fully understands. Put your hand on the canvas of the world and you can feel the vibrations of it all. Society… the universe is a moving, living, shaping, wriggling thing. It’s absolutely terrifying, and we are such small, powerless, absolutely insignificant things.

Yet, we can alter things, send shock-waves through existence. We don’t have to, and we should consider why we do, but we can. Oh God, can we. Terrible and benevolent, we are.

What is it that I love about Doctor Who? What is its message? When it’s being created, by a writer mind you, and being watched, by us, what is it trying to tell us? Be brave. Don’t be afraid. Yes, the world is an Eldritch thing: an unspeakably complex, infinitely confounding thing, but that’s okay. We’ve got science. We’ve got words. We’ve got stories. Even if you’re afraid, especially when you’re afraid, we’ve got courage.

It can be hard to find work as a writer. It’s more difficult still to find what you want to say. It is infinitely more difficult than even that to maintain your integrity, your standards, in the face of everything. Sometimes you won’t. Sometimes, you’ll be true. Sometimes, you’ll sell out. Sometimes, it’ll be to feed your kids; sometimes, it’ll be to feed your ego. You will fail. But, that’s okay. It really is. You can learn from that. You can change things. You can count on the fact that another writer, of equal skill, exists that will oppose your words. Not all stories have happy endings. Not all of them have to.

So, don’t be afraid: write.

Word Count: 3966

End Chapter 1

Rant: Caring About Communication

I’ve had this one building in me for a while, but I never wanted to approach it, because it’ll make me sound like an elitist git. It wasn’t until a couple of minutes ago that I realized that what I was actually trying to say wasn’t a complaint. If I flipped it on its head, then it was something deeply important to me that I had to share. It just manifested as anger because I hated seeing it abused. Today, I want to talk a bit about that thing. That thing is, of course, language. In my case specifically, the English language and, by extension, being a writer. Or writing. Or any combination of the two.

Let’s start with one of the purposes of language: communication. What is language without communication? A bunch of arcane symbols and noises. In other words, you can say anything you want, any combination of gobbledegook at all, but it will be meaningless unless it can be understood. This is why grammar and syntax are so important. I’m sure you’ve been to Facebook, Reddit, or The Internet, and seen the high-larious, hackneyed posts about the important differences between “your” and “you’re,” so I won’t bother getting into the specifics here. However, the idea serves to highlight an important point: re-read your work. Edit. Get someone else to read it. Take a walk, come back and read it yourself. Freeze yourself and send yourself back in time a bit, or alter the time-stream to create a parallel version of you with no knowledge of your current work, and get that version of you to read it. Care about the words you say and where you place them. Everyone makes mistakes. That’s an okay thing to do. BUT, you mustn’t be careless. Anyone who reads your work is letting you into their head. They are bringing life to your vision, so make sure it makes sense.

That brings us to the flip-side of the coin: grammar-nazis. There will always be people who are willing to correct your work. Not all of them will give you constructive criticism, though. Some of them will just demand that you stick to the rules or not make mistakes. This sort of critique is mostly useless. I understand wanting to win an argument over the internet, but insulting someone’s grammar will never net you a win; it will just prove that you’re a tosser. Correcting it is fine, especially if the sentence is so malformed that it doesn’t make sense, but proving a point takes more than words. It takes ideas. Yes, words communicate ideas, but not all ideas are always equally applicable. Sometimes, a mistake is just a mistake. Demanding that you stick to a set of rules seems like a reasonable demand, but it isn’t universal. Grammar exists to help us communicate more clearly, but its rules are constantly in flux. Personally, I have a well-worn copy of “A Canadian Wrtier’s Reference” by my desk that’s about 4 editions behind. Each new edition has added something new. I’m constantly finding out that convention has changed. Most of the time, it’s stuff that I can safely ignore, because it gets really obtuse. However, you can’t ignore it all because the obtuse stuff can get you in the end. It can warp the meaning of entire phrases. Language doesn’t crystallize forever, either. Look at ye olde English Bard, yon Shakespeare. Some people think he’s absolutely impossible to understand, the height of nonsense. Of course, if you read him, then you know that’s not true. It does serve to illustrate the gulf that can form with time, though. Someday, our work will sound like that, too, if we’re lucky enough to have people interested in reading it.

However, even current convention must be subsumed within the larger purpose of communication. Once you are familiar enough with the rules, as the age-old saying goes, you can bend them. Yeah, I know you’re not supposed to start a sentence with “But” or “And,” but, sometimes, it’s the best way to do so. Sometimes, it lets you communicate more clearly. Sometimes, you’ll have to break convention to get a point across. Using “…” or repeating words over and over again can bring life to a sentence in a way that nothing else can. It gives your writing flavour. The writers who compile the rules of grammar and syntax know this. The ones who judge our works from on high are well aware of the inherent flexibility of language. That’s why those rules exist: to try to rein in limitless fecundity just enough to let words speak to each other. Otherwise, we’d be left garbling to no one.

Overall, my point is simple. Make sure you place your words with care. Don’t be afraid to bend the rules of form and function to serve communication. All you have are your words, their placement and their context to get what you’re trying to say across. And, you ignore one at the expense of the others. Revere language because it’s more important to humanity than any of us can fathom without it.

More-so, if you’re a writer.